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Hills of Tulloch 1915 Original etching with drypoint. Excellent signed proof impression from the total edition of about 40 impressions. SOLD |
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Holyrood in 1745 1896 Original etching. Extremely strong signed proof impression. One of 85 Japanese vellum proofs, aside from the main edition. SOLD |
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The Wine Farm 1896 Original etching. Early trial proof impression, prior to the published edition. SOLD |
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Yvon 1911 Original etching with drypoint. Rare, early working proof in the 1st state (of 4). Superb, rich impression, printed with tone. The fresh burr of the drypoint lines printing a deep velvety black. Signed and numbered “I” by the artist in pencil. SOLD |
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The Avenue 1905 Original etching with touches of drypoint. An especially beautiful signed proof impression of this charming work, between Rinder’s second and third states of the plate. In this state the artist was enriching the entire etched work with considerable drypoint. This is a particularly satisfying state of the plate, especially when seen in a fine proof impression such as this. SOLD |
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Saint Merri, Paris 1906 Original etching with drypoint. Excellent impression with rich drypoint burr in the 4th state (of 5). SOLD |
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The Unicorn, Stirling 1891 Original etching. Particularly fine signed proof impression, printed with considerable plate tone and under unusually heavy pressure in order to bring out every detail of the etched plate. D.Y. Cameron’s early etchings of Stirling are now very rare prints indeed. SOLD |
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Ben Lomond 1923 Original etching with drypoint. Superb, richly inked impression, printed with carefully wiped plate tone. The total edition printed from this plate, in all six states, is thought to have been no more than about 80 impressions. SOLD |
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Robert Louis Stevenson 1895 Original etching. Very rare signed proof impression on Japanese vellum, prior to the published edition. Designed as a title page for An Elegy and other Poems mainly personal by Richard Le Gallienne, this etching is very rare indeed in signed proof impressions. SOLD |
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The Gargoyles, Stirling Castle 1898 Original etching. Excellent signed proof impression printed with delicate tone across the foreground stone work. SOLD |
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The Boddin 1911 Original drypoint. Very fine working proof impression, before the addition of lines to indicate a slope in the central foreground and before minor work elsewhere throughout the plate. Signed proof in Rinder’s sixth state (of seven), prior to the only edition. SOLD |
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Rowallan’s Towers 1893 Original etching. Extremely rare. Rinder catalogued this etching as existing in only “very few impressions” and impressions are now exceptionally scarce. SOLD |
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Loch Aline 1926 Original drypoint. Very good, signed proof impression with strong drypoint burr, printed with delicate plate tone. One of only about 50 impressions printed from this plate. SOLD |
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The Ferry 1926 Original drypoint. Very good, strong proof impression with rich drypoint burr. One of only about 50 impressions printed from this plate. SOLD |
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Zaandam Windmills 1892 Original etching. Very strong signed proof impression, as issued in the rare North Holland Set (only one proof exists in the first state). SOLD |
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A Stairway in Genoa 1896 Original etching. Exceptionally rare. One of the only two impressions traced by Rinder just prior to the release of his 1932 catalogue raisonné of D.Y. Cameron’s etchings. SOLD |
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Landscape with Trees 1896 Original etching. Very good, strong impression, printed in very dark brown ink with plate tone. Signed proof, as issued in the North Italian Set (1894-1896), published by W.B. Paterson, Glasgow, 1896. Scarce. SOLD |
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The Wingless Chimera 1911 Original etching with drypoint. Excellent signed proof impression with strong etched line and burr to the touches of drypoint. SOLD |
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The North Porch, Harfleur 1904 Original etching with drypoint. Outstanding signed proof impression in Rinder’s 2nd state (of five), before the plate was cut down. An exceptionally rich example, the fresh drypoint burr printing to create deep velvety blacks. SOLD |
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Chinon 1902 Original etching with touches of drypoint. Outstanding early proof impression in the 1st state of the plate. Presentation proof, signed and inscribed by the artist in pencil “A souvenir of rare spring days in Touraine – 1902. – J.J.W. J.M.C. D.Y. Cameron”. SOLD |
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St. Laumer, Blois 1903 Original etching with drypoint. Exceptional signed proof impression between Rinder’s 1st and 2nd states (of three), printed in dark brown ink with considerable plate tone. A particularly striking example, prior to the introduction of any drypoint work above the shadow to the right of the right hand figure. SOLD |
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St. Paul's from the Thames 1899 Original etching with touches of drypoint. Excellent signed proof impression, from the only edition of about 38 impressions in total. SOLD |
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Waterloo Place 1899 Original etching with touches of drypoint. Very fine signed proof impression from the only edition.
Only 35 sets of Cameron’s splendid London etchings were ever published. SOLD |
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